Dark Matters

Lumen negatives 8’10 tum

The cameraless body of work Dark Matters can be read as an echo from the ground. I have studied methods, theories and concepts through which nature is approached in art and in science. By letting redlisted organic material that was found in the field make imprints on light-sensitive emulusion nature becomes the darkroom and where proximity between image and object creates a tactile sensuality. The random in this method reveals the unconscious and transforms the botanical material into abstract traces; a figuration of extinction.